Seven questions on women instrumentalists and cultural change with Sharada Dangol

When I play instruments, I am at my most authentic self. In that very moment, I clearly feel what I want and what I like 👍

KATHMANDU: Although the number of women excelling in singing is nearly equal to that of men, their presence as instrumentalists or musicians is extremely low. Sharada Dangol is one of those few exceptions, having been active as an instrumentalist for the past two decades.

Skilled in playing instruments like the Madal, Dhime, Tabala (hand drums), Khiñ, Dhaa, and Khaijadi, she is actively involved in both solo and collective creations. Dangol, who has showcased her instrumental artistry on commercial stages as well as in cultural festivals (jatras), shares her perspectives in these seven questions for LAKSHY DREAM FOUNDATION GLOBAL NEWS NEPAL

What attracted you toward playing musical instruments?

It used to surprise me when I heard in society that women shouldn’t play musical instruments. The curiosity of “why not?” is what sparked my desire to play instruments. I learned to play because I felt it was necessary to change the mindset that wants to limit women only to household chores.

What is the reason behind the still-low number of women playing musical instruments?

As old customs change in society, it is no longer a novelty for women to play instruments. However, because family and society still do not view it positively, the significant participation of women has not yet increased.

What difference does it make in the music industry and society when women play instruments?

There is still a practice of viewing women merely as a gender meant for doing household chores or giving birth to children. Increased participation of women in music helps break the circle of such narrow mindsets. Instruments make them financially self-reliant and also give them an identity in society.

I feel that women can express deeper emotions in music than men, which can also enrich the music itself.

What is the difference between playing instruments on stage versus in a cultural festival?

Performing on stage means showcasing one’s talent. It is also about representing the work that you love doing.

Participating and playing instruments in cultural festivals is not just entertainment for me. It is a celebration of preserving our culture, giving it continuity, and handing it down to the new generation.

How are Newar culture and musical instruments connected?

In Newar culture, there is a tradition of gathering in groups to sing and play instruments to relieve the exhaustion of work while enjoying ourselves. At that time, all kinds of emotions, joys, and sorrows are poured out through music. In the Newar community, instruments and music are present everywhere—in homes, fields, temples, and festivals.

What is an instrument to you?

For me, an instrument is a medium to express my emotions. It is my inspiration that helps show the world who I am and what I can do. When I play instruments, I am at my most authentic self. In that very moment, I clearly feel what I want and what I like.

What is the greatest satisfaction that playing instruments has given you?

I always find joy when I play instruments. I want to show the world that despite numerous restrictions and limitations; I have made this possible.

I am building my own identity by doing the work I love. Furthermore, the fact that I am inspiring other women and girls by showing that women, too, can play instruments gives me great satisfaction